The Resolution of Paradox – Life Mastery Through the Traditional of Martial Arts

My career in the martial arts started in 1964 with irony. I studied a martial art normally categorized as “soft” judo, but found that in application there was a lot of “hard”. Judo provided the toughest workout of any sport I had ever practiced including football. I had more sore muscles, more muscle strains, and more bruises in judo than in all my other sports combined. And, in contest application, the concept of harmonizing energy or using the other person’s strength against him was all but invisible. It was struggle, plain and simple. Later I added the “hard” art of karate and the “soft” art of aiki-ju-jutsu to my repertoire. Unifying them made me realize that at times karate can be soft and aiki can be hard. Teaching emphasis was one thing, application another. One’s personal interpretation of and skill at the art also had an effect on the resulting “hardness” or “softness”.

The apparent dichotomy of hard and soft was being homogenized and unified within me as a martial artist. Other major themes (long vs. short range, straight vs. circular movement, internal vs. external energy, traditional vs. modern practices, etc.) seemed also to be in conflict and yet existed within one martial artist, one method of instruction, one school, one style, or one art–this was a paradox. But I did not accept it as a true paradox since I believed that paradox is a statement of our own limitations in understanding. Something cannot be black and white at the same time, in the same sense, in the same context. That they may seem to be paradoxical but are actually ironic. Apparent paradoxes then should be able to be resolved.

F. Scott Fitzgerald once said that the highest form of thought was to be able to hold two conflicting ideas at the same time. I do not agree. Conflicting ideas produce inadequate understanding, indecision, inaction, thus inadequate achievements. But apparently conflicting ideas which are resolved within the thinker–now that’s something else.

Certainly mastery and “high thought” are not achieved simply by taking a few conflicting ideas, figuring out how to resolve them to one’s own satisfaction, and then promoting oneself to twelfth dan (traditional ranks go up to only tenth dan which are very rare and are usually awarded to very experienced, very elderly, and usually very wise practitioners of the martial arts). Instead, mastery of any subject, especially those like the martial arts which are fraught with perfectionism, dedication, true believers, fidelity, and multitudes of methods and emphases –mastery of these arts means that the ironies and apparent paradoxes of that study must be understood and resolved.

Karate and Aiki each present us with a philosophical “paradox” when applying them in self-defense. Karate says “Do not fight until pushed to the limit. When there is no other choice, then fight full-out, to the death if necessary.” Aiki says, “Harmonize with your opponent and try to frustrate his aggression or, if necessary, control it through the use of his own overextended balance and strength.” If pushed to the limit Karate resists while Aiki accepts and redirects. And yet a technical direction in each art seems to contradict the philosophical route each prefers. Karate insists that the first movement should always be defensive. Aiki suggests that one can catch an opponent more unaware and off-balanced if one “attacks the attack”. Yet Karate is often seen as an aggressive art; Aiki is seen as a defensive art.

Of the perceived philosophical choices between Aiki and Karate, I tend to prefer the more peaceful Aiki route. But I realize that (a) a single perception may not accurately portray the art as a whole and (b) even if it did, sometimes a person is given no choice but to stand up for himself and resist! Aiki’s peaceful “redirection philosophy” means very little ethically if one does not have the cannon of karate “fight to the finish philosophy” in one’s arsenal. You do not choose a peaceful harmony if that is your only choice!

Similarly, there are challenges within the martial arts community which must be met one way or another: with resistance or with acceptance. Many martial artists are unnecessarily critical of each other, perhaps showing a lack of confidence in their own art, or, more precisely, in themselves. You can see this in the letter section of any martial arts magazine in any given month. Some who may appear uncritical politically, perpetrate a watered-down version of a martial art, inflate their credentials, make false claims about their history, abilities, etc. They don’t criticize, they brag. Another version of those who provide the fuel for martial controversy are the sales-oriented martial artists who care more about selling superficial knowledge and recognition than offering deep understanding and qualified skill. When these people present themselves in the martial arts, it is like a challenge not only to the livelihood of hardworking legitimately qualified martial artists, but more fundamentally to the reputation of the martial arts in general. But how do we meet this challenge with the philosophy of Aiki or Karate? If one uses “karate” to directly oppose because one feels “pushed to the wall”, one also becomes one of the criticizers of which there are far too many–a voice in the multitudes which cannot be distinguished. If one takes the more tolerant Aiki approach, one sees the quality and benefits of martial arts study gradually being eroded and the meaning of a black belt becoming ludicrous. What a paradox!

Not only is the idea of resolving paradoxes important to individual mastery but the method toward mastery may just be what we, as a society, need to balance our philosophical extremes. Great masters of the martial arts, notably Funakoshi (karate), Kano (Judo) and Ueshiba (Aikido) intended the study of their art to be a method of improving the individual so as to eventually influence society. They saw their mission as one of spreading their art so that the more individuals would improve, the more improved individuals would populate a society, and the more common ground the individuals in a society would have. Yet if this martial method gets corrupted not even the individual can improve, and certainly society can not be effected in a positive way. I would like to submit that individuals do have an influence on society but not by force of numbers alone, rather by positive example and by creating ideas and technologies which philosophically influence other individuals and thus indirectly influence their societies. I think the masters of the previous era might accept a small variation to their theme of peace and harmony through the martial arts: the martial arts provide one method by which paradox can be studied and eventually resolved. In my opinion, it is the method of resolving paradox which is the key to personal mastery, and a philosophical change in society.

The martial arts are a relatively insignificant sub-culture in a world of political extremists, religious paradigms, and self-improvement methods. As a whole, one cannot say that the very study of any martial art makes one a better person or improves society directly or indirectly. Martial arts are not a direct means to a given end. Rather, martial arts offer one method for personal challenge and self-discovery through which time mastery can be attained. It is during the attainment of mastery that methods of resolving paradox are discovered. Those individuals who have reached the high goals of inner peacefulness and personal worth may choose to reach for yet higher goals outside themselves. These are the people (martial artists or not) who will change the world. Major philosophical changes have come from the influence of methods and experiences of much less significance than the martial arts. But for practicing martial artists, traditional budo may just be the most appropriate method of life-mastery and then of social renaissance.

Everyday we are confronted with experiences which are, in the larger world view, insignificant, yet these items challenge us with indecision because they make us face philosophical paradoxes.

Three teens in a banged up sedan zip into a parking place by entering the parking lot against the flow of traffic. Should one oppose them? Or should one say to oneself “teens will be teens” and tolerate it? Opposition would be difficult if the teens did not take kindly to verbal discipline, since there are three against one, and words would probably not influence their driving or parking habits in the long run anyway. Yet tolerance of little incidences like these encourages their repetition. The offenders convince themselves they can get away with inconsiderate behavior on a regular basis. Repetition of such behavior without any retribution creates in the offended party, an unconscious sense of disorderliness and, more importantly, helplessness to protect what one perceives to be a socially accepted right. In short, one takes a relatively insignificant situation and raises it to symbolize deeply important philosophical principles.

Should we tolerate the little things which challenge our individual rights or personal safety? Should we take the chance of opposing too soon and become like fascists? Resolving paradox, even in seemingly insignificant matters, is itself no insignificant matter. Ultimately, in this example, the paradox unresolved comes down to a permissive versus a restrictive society. By what guidelines does one choose the balance? I do not propose that in a little column about training toward martial arts mastery, I can offer the answer to this most difficult of questions or even more minor situations which are emblematic of these questions. Rather I intend to show that the traditional martial arts, properly studied, lead those who wish to achieve higher goals than learning how to punch, kick, throw and lock, to the confrontation with paradox. And that it is the resolution of that paradox whether it be through opposition or redirection, that makes one a master of one’s art, one’s self, and ultimately gives one a framework by which to tackle much wider philosophical problems.

Ultimately, paradoxes reduce to “What Should Be vs. What Is.” Either we are logically stumped because our reasoning, although faultless, is confronted with an equally faultless yet opposite reasoning (Light it has been proven is both waves and pulses simultaneously), or we are ethically confounded because our ideals, no matter how carefully parallel to apparent human nature, always seem to be frustrated by those who take advantage of them (“Treat them with discipline and they hate you; treat them with love and they take advantage of you, thus becoming undisciplined.”)

What Should Be vs. What Is: is it the ultimate paradox or is it just a larger cousin of the little ironies we face (and resolve) every day? In the martial arts such frustrating questions do not occur to the everyday practitioner. If they occur at all, it is to the experienced and dedicated martial artist who has more years in his/her art than most students have in their entire educational career. “What Is” in the martial arts is, for the most part, short term students studying a catalogue of physical movements in order to feel better about themselves. “What Should Be”, at least to this author, is that students become artists, who during the years of mastering their art, confront the ironies and seeming paradoxes and use these confrontations to master themselves and the living of their lives. How does one resolve the paradox of What Is vs. What Should Be in the martial arts? By helping create a path for some of the short term students to become long term students, for some of those studying physical movements to stumble into the grotto of intellectual and emotional self-development. And how does one do that? One begins by writing this article.

A martial artist since 1964, Tony Annesi holds black belts in judo, aiki-ju-jutsu, karate, and has studied numerous other arts. As early as 1977, Annesi received the title of Ichiban Deshi no Soke (#1 student of the stylistic leader) in aiki-ju-jutsu from Albert C. Church, Jr. In 1984, the Goshin-kai International, a French federation, and the International Brotherhood of Martial Artists, a German-based organization, both decorated Annesi for his dedication to the martial arts. In the same year, Annesi was appointed soke-dai (inheritor designate) of the Kamishin-ryu martial arts, a position he resigned in 1988 due to a conflict in leadership styles. In 1989, he founded BUSHIDO-KAI KENKYUKAI, a federation for the development of innovative traditional martial arts and shortly thereafter founded BUSHIDO-KAI BUDOYA to help broaden the martial education of practitioners worldwide.

Posted in Uncategorized | Comments Off on The Resolution of Paradox – Life Mastery Through the Traditional of Martial Arts

How to Choose a Martial Arts School – 10 Steps Guaranteed to Save You Time and Money

comparing martial arts schools?
What are the tell tale signs of a quality school that you can spot immediately?
What are the best questions to ask, and how do you know if they can really deliver?
What part of a contract can you negotiate?
These are just some of the important questions you need to know how to answer before shopping around for a martial arts school.

A commitment to martial arts is an investment in time and money, so knowing exactly what to look for in a school, and knowing what questions to ask, will give you the clarity and confidence to make a smart choice.

A bad choice in a martial arts school can be an expensive lesson, so use this guide to educate yourself.

There is a huge variety of martial arts schools out there. Facilities range from expensive health-club-like facilities to open space warehouses. Martial arts schools aren’t regulated to insure quality of instruction or business practice. There is no official governing body and no universal grading standard in martial arts. Almost anyone can open a school and appear to be an expert.

What do you look for beyond price, amenities and convenient schedules? While most people first consider price and the facility, there are more important factors that you need to consider first!

These 10 steps show you how to make the best decision in choosing a martial arts school:

Objective
Instructors
Class Dynamic
Student Results
Curriculum
Style
Facility
Service
Price/Fees
Instinct
1. OBJECTIVE:

Before you start looking into martial arts schools, determine your true goals for martial arts practice. To get the most out of your training, clearly identify your real goals and the specific benefits you want to have.

Ultimately, you just want to feel good about yourself and feel super confident, right?

However, this is usually not enough of a specific emotional motivator for consistent practice.

The majority of people who start martial arts rarely make it past a few months of consistent practice. It’s not just a lack of motivation. Not having clear goals is usually why people don’t follow through in practice.

To determine what you really want from training, start by narrowing down what you wish to focus on.

The focus of your practice can be broken down into several areas. There’s no right or wrong – it comes down to personal preference.

For starters, you can number these in order of importance.

Physical Fitness as the main goal, with martial arts aptitude as a secondary benefit.
Purely Combative Focus, with fitness and personal growth as added benefits
Creative and Artistic Expression, aesthetics, beauty and WOW Factor
Competitive Focus, sports aspects such as one on one competition
Mental and Emotional Growth, catalyst for self-discovery and spiritual growth, cultural and philosophical interests
Ask yourself clarifying “Why” questions, so you can identify what you’re really going for.

This is the first step in filtering the selection of schools to choose from. Once you’ve identified your goals for martial arts practice and understand why they are your goals, you’re ready to search for a school.

2. INSTRUCTORS:

An instructor plays the key role in how you will achieve your goals.

Finding a good instructor is more important than choosing a style, and is probably the biggest factor in your decision to join a school. It’s nice to have impressive amenities and expensive equipment, but ultimately a martial arts school is only as good as it’s instructors.

Being a black belt doesn’t qualify someone to teach!

A competent instructor is knowledgeable, experienced, and has the ability to effectively pass on his craft.
A good instructor possesses leadership and communication skills.
A great instructor will also display sincere empathy, showing a genuine interest in helping you achieve your goals, bringing out your individual strengths.
Look for other attributes that increase an instructor’s ability to add value to your training:

Proven competitive track record, such as World Champion Titles
A degree in an area such as psychology, sports medicine, kinesiology or related fields
Military, law enforcement, or security experience
Involvement in a credible martial arts organization
Extensive knowledge of a culture or philosophy that you’re interested in
Although an instructor’s experience and background provides some credibility, don’t be overly impressed with awards and certificates.

Their mindset and level of experience will be apparent through subtleties in character and by their actions.

Quality instructors are sincerely interested in helping You and won’t feel the need to boast about their own credentials or prove themselves. Instead of boosting their own egos, high-level instructors are very attentive on coaching you to achieve your goals.

You can often measure an instructor more accurately by their students’ results and satisfaction than by credentials alone. The students themselves may be the greatest indication of the quality of instruction.

Just like a good business is constantly researching and developing, high-level instructors research and develop methodologies in order to continually improve. A lifetime training in martial arts isn’t enough to reach human potential!

A high level instructor portrays noble characteristics of a role model and leader.

Confident instructors welcome feedback and respond to your questions with patience and insight. They are usually very humble, and rarely speak negatively about any other school or style.

Also, find out if the school’s head instructor is actively teaching. Some schools have classes primarily taught by an assistant or senior students, while the head instructor only makes an occasional appearance.

While assistant instructors may be totally capable of teaching, watch out for schools that “sell” you on the instructor but have someone else teaching.

3. CLASS DYNAMIC:

Make sure you know how to evaluate a school in two parts, the content and the context.

The context of a martial arts school is made up of the training methods and environment. What kind of setting is the school providing?

A supportive learning environment is crucial to maximize the assimilation and retention of material. The context of training can be more important than the content, (or material), intended to be learned.

Look for context such as:

The collective mood or energy of the instructors and students
The class dynamic – structure and flow
How the amenities and equipment are used
The training methodologies
How the ranking system is structured
The quality of service
One of the best ways to evaluate a school is to watch or participate in a class.

You can watch videos, visit a website and read all about the credentials and features of a school. However, you can only get a true feel by “test driving” the actual group classes. Many schools offer free consultations or introductory private lessons.

If a school allows you to watch, or better yet, participate in a class without obligation it speaks highly of their confidence and transparency.

The class dynamic is the best demonstration of the instructor’s martial arts aptitude and ability to teach. It reveals how the students interact with each other and the instructor. It’s also the perfect opportunity to see how their curriculum is implemented into training.

Consider the size of the classes and how that may effect your training. The make up and flow of the classes will either help your learning experience or hurt it.

Look for the following:

Is there a significant age difference among students that may restrict your practice?
Is there a significant difference in the students’ experiences or physical abilities?
How formal or informal are the classes? And, how does that effect your practice?
How much supportive individual attention do the students receive?
Is there anything about the facility that’ll hinder your practice? such as cleanliness, stale air, too cold or hot, distracting noises, etc.
Many beginners prefer large classes. It can be easier to follow along with the examples of many other students. There’s also less intimidation as the collective group dynamic can conceal individual insecurities and lessons the pressure to keep up.

On the flip side, there is a key benefit to smaller classes that’s important to consider. There is more opportunity to receive personal attention from instructors that can greatly accelerate your learning curve.

Again, instructors are the backbone of a martial arts school. The instructor consciously, or unconsciously, dictates the energy of the entire class.

Here are some other things to look for:

Does the instructor facilitate class with control and safety? (Notice if the students are enjoying themselves or seem uncomfortable and hesitant).
Is the instructor passionate and actively teaching or seemingly going through the motions and mechanically calling out commands?
Do the students seem inspired?
A martial arts school provides the setting of a controlled environment where you’ll train to overcome future or potential challenges. In order to maximize results, good schools teach in a context that anticipates and matches the actual environment of those future and potential challenges.

The classes must simulate the intended environment and must provide the necessary emotional stress in order to engrain instinctual trained responses.

For example:

If you’re seeking a combative style for self-defense, look for schools that safely facilitate reality based, high-stress scenario exercises.
If you’re training to fight in a ring or cage, look for a school that teaches you how to maneuver in the confines of a ring/cage under the same guidelines of the competition.
If you’re goal is to perform in tournaments, look for a school that can facilitate your training in a loud, distracting environment with large mirrors and an audience.
If your goal is to have fun getting in shape, look for classes that use good training equipment, have high energy, exciting exercises and a social atmosphere
Pay attention to the flow of the class and notice how much of the class time is instructional. Some schools implement a lot of conditioning drills while others teach with a lot of verbal explanations. Notice if they have a lot of unnecessary “filler time”.

It’s also a good idea to inquire about the school’s ranking system. Most traditional schools use some modification of a belt system, but what’s required to earn each belt can vary drastically from school to school.

Is there a clear standard for aptitude and execution of techniques at each level? Or are the requirements based on time and the amount of classes taken?

Many schools test for promotions after a set number of classes. This gives the perception of building capable intermediate and advanced students, which can be an important aspect of a school’s perceived value. Not to mention, belt promotions are a crucial source of income for some schools.

Remember that there’s no official governing body in martial arts, so belt levels may not be valid outside of that school or organization.

4. STUDENT RESULTS:

The students provide tremendous insight as to the quality of instruction. You can often tell more about a school by the students’ results than anything else.

The students are the products of the school’s training system and methodologies. If the advanced students don’t model your martial arts goals go find another school!

When observing the students, pay attention to the ratio of beginner to advanced students. It’s a good sign if there are a lot of intermediate and advanced students. That means the school is able to retain their students, and usually equates to student satisfaction.

Just as you probably don’t want to eat at a restaurant that’s always empty, be cautious of a school with a few students. What’s considered a small student base? Depending on the size of the facility and how long they’ve been in business, classes that have less than 10 students is a pretty strong sign that there’s something lacking in the school.

Consider the characteristics and personalities of the students as well. It’s important that you are comfortable with your classmates cause you may be spending a lot of time with them.

Are they the types of people you’d like to be around and train with?
Would you feel comfortable and safe training with them?
Are the students supportive of one another or are they highly competitive and trying to outdo each other?
The student dynamic may also reveal how the instructor instills leadership and other life skills that you may wish to develop. Watch how the advanced students handle both challenges and successes.

Take the initiative to speak to some of the students. Getting insight from existing students can make all the difference in your decision to join.

5. CURRICULUM:

Remember that a martial arts school can be evaluated in two parts, content and context. The curriculum and style of a school make up the content.

Whether they call themselves a martial arts school, studio, academy, gym, or dojo, they are still businesses. They will promote themselves in creative ways to gain an edge over the competition. You can expect them to entice you with price incentives, boast their credentials, amenities and equipment, or make claims to get you results in the shortest amount of time possible.

Don’t allow marketing tactics to distract you from determining if the school can actually support your training goals.

Whatever a school claims to provide in your martial arts training, their students, classes and curriculum will give you a good indication of the school’s quality and true emphasis.

The martial arts curriculum, (content), is made up of the techniques and material you will be learning at a school.

The focus of your training must be supported by the curriculum and training methods.

There are key points to look for in determining the quality of a curriculum. Begin by identifying the school’s emphasis. Take into consideration that when there is more focus on one aspect of martial arts, other areas are compromised to some degree.

Forms and jump spinning kicks in the curriculum? You’ve most likely found a school with an artistic or traditional focus that may participate in tournaments. If this is what you’re after, the curriculum should consist of aesthetic techniques that have dynamic kicks and beautiful forms with and without weapons.
Are the techniques based on kickboxing and wrestling? A lot of sparring and no weapons in the curriculum? This is probably a school that focuses on one-on-one sport competition. Schools that build towards competition usually emphasize physical conditioning to reach peak performance.
Although physical fitness may not be the primary goal in many styles, fitness is generally a by-product of training. You get in shape by default in martial arts practice.

The majority of schools have a curriculum designed to provide a general overall perspective on fitness, sport competition and self-defense. For most people who are just beginning martial arts, a school’s curriculum and interpretation of martial concepts should be comprehensive enough to support you through many years of practice. If this is the case, start to look into other components of the school like their class dynamic.

For those who have martial arts experience, or seeking a specific area of focus, determine if the school’s curriculum actually supports the emphasis you’re looking for.

It’s not uncommon for a school’s true emphasis to be different from how they market themselves. Take note of the techniques in their curriculum and their applications.

For example, let’s say your primary reason for martial arts training is purely for self-defense on the streets. You visit a school that claims to be proficient in teaching self-defense. Yet, they teach fixed stances and forms and only implement weapons training in advanced levels.

This is a big red flag! This doesn’t mean it’s not a good school. It only reveals that their true emphasis is not truly combative.

70% of assaults on the street involve some sort of weapon and over 90% of attacks go to the ground. Any school that claims to teach true self-defense while neglecting weapons training and ground fighting is just plain negligent.

You should seek elsewhere if this is your focus. Modern combative styles will implement training in weapons and ground fighting right from the beginning.

Training methods also implement high stress scenario drills with multiple attackers. You won’t find fancy acrobatics in the curriculum.

Remember the old adage, “A jack of all trades is master of none.” Be cautious of a school that claims to deliver health and fitness AND teach you culture and philosophy AND turn you into a professional fighter AND prepare you for the streets AND promise personal or spiritual growth.

6. STYLE:

Posted in Uncategorized | Comments Off on How to Choose a Martial Arts School – 10 Steps Guaranteed to Save You Time and Money